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Sandbox Railroads

Sandbox vs Railroad
Over the last few years this blog has focused on player-centric themes, by using a four-part method. This month I'm going to deviate a bit by covering a topic normally reserved for GMs, and by doing a long-form essay. If this approach works well, I might keep the longer once-a-month essay.

While the railroad/sandbox duality is typically considered a GM problem, it's still true that the Players must play in this duality, so this is a topic that's of importance to them as well.

Action

In designing dramatic campaigns we focus on the character, creating intimate settings that allow Players to inhabit their character’s background, leading (hopefully) to the flourishing of the character(s). What does this mean for action adventures? If we put less focus on character backgrounds, what role do Players have in creating an action setting?

Watch the Table

When we talked about dramatic games, we talked about watching what goes on around the table, working to support the other Players’ character actions, and working toward safe cathartic emotional bleed. In action adventure games, by contrast, we talk about watching what goes on on the table. This includes maps, miniatures, dice, character sheets, and rules.In a dramatic game, scenes can float from location to location without too much concern for continuity of action. But in action adventure games, maps are important in determining where and how the action takes place.

Action Play

When we talked about dramatic play, we found it was heavily character-driven instead of action-driven. When playing action campaigns, there are ideas you must balance. The first things to consider are the action scenes of the pulp genre and tactical play; imagine your characters in action while building them. You also need to have a good grip on the rules, so you can stay up with the other Players and match the fast pace of action games. Speaking of the Players, since these games focus on goal accomplishments, it's important to remember that your missions will require teamwork.

An Action Adventurer

Last time, we focused on my addiction to drama and making characters that try to fit into the genre. I also mentioned my interest in Korean action films, and I should add Chinese films, too. To me the film industries of these two countries lead the action movie genre, especially for gamers. If you want to get into this, listen to the Jianghu Hustle podcast.

Intimate Settings

Your character is set, their tragic life is just getting started, and you understand all about being a supporting actor; now it's time to turn toward creating a dramatic atmosphere. When talking about Setting we need to consider both the campaign setting and individual scenes. The campaign setting is there to set the general themes of the drama, while individual scenes provide space for each character to show off their feelings about the world around them, and to indicate how the story affects them.

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